PDF Ebook Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman
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Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman
PDF Ebook Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman
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The first half of this book is devoted to teaching a systemized approach that can be used to design the very best moving shot for any dialogue scene, no matter how complex or long. Bettman’s “Five Task” approach enables the aspiring director to quickly grasp this difficult element of directorial craft. In the second half the reader is taught how to shoot action sequences using moving and static cameras and the gamut of lenses to achieve the magic trick essential to shooting action — making stunts that are highly controlled and neither violent nor dangerous look completely mind-blowing.
- Sales Rank: #190968 in Books
- Published on: 2014-01-01
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .48" w x 11.02" l, 1.14 pounds
- Binding: Paperback
- 232 pages
About the Author
Gil Bettman is a director and a professor. He teaches at Chapman University in the Dodge College of Film and Media Arts. His book, First Time Director, made the Los Angeles Times bestseller list. He recently completed his fifth feature film, Go There Once, Be There Twice, a documentary recap of the life and times of rock star Sammy Hagar. Bettman has also directed numerous rock videos and multiple episodes of primetime television.
Most helpful customer reviews
3 of 3 people found the following review helpful.
GOOD BOOK with insights but not a very polished written book reflecting to its title
By kreuz
Long story short, I recommend this book, you will find a lot of useful information on directing cameras. But the techniques and rules mentioned are more on the surface and lack of depth in terms of building the design of camera movements upon your materials.
2 of 2 people found the following review helpful.
It all adds up
By Dave Watson, Editor, Movies Matter
Gil Bettman, a seasoned professional, has put together a book that is boundless, inspiring, and useful in all aspects of filmmaking. I read the foreword by Robert Zemeckis and took his word that if I opened this book to any page and find it useful. Strategies for action sequences, which lenses to employ where, and how to use different master shots all showed things I hadn't noticed. The author picks apart the subconscious level of viewing films and sequences we've recognized, and gives us a barrel-full of tools to use in the future, as a viewer and filmmaker. Working in film, things have to be aesthetically pleasing, and believable. Bettman knows how to shoot a scene so that characters, action, and characters add up to an experience we will use for years to come.
Dave Watson, Editor, Movies Matter
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1 of 1 people found the following review helpful.
A must have for every filmmaker
By Jeff Phillips
As a successful writer and former editor, I felt confident in my decision to direct my first feature film, @urFRENZ. Fortunately, a friend handed me the book “First Time Director,” while I was in pre-production. By the time our shoot had wrapped, I had given a silent word of thanks almost daily to the book’s author, Gil Bettman. Now, Gil is back with “Directing the Camera,” a comprehensive text on the hows and whys of the moving camera and the rules of visual design. It’s difficult to accurately convey the process of working with the camera in print, but Gil’s cogent description is the next best thing to hands on experience. Just as important, he marries camera movement to the story, shot by shot. He understands the importance of internally and externally generated camera moves, and shows us why today, more than ever, new filmmakers need to know how it applies to their craft. From the dolly shot to the handheld, Gil takes the reader not only behind the camera, but on a deeper journey into the mind of a master director who understands how to visually capture the relationship between the story and the actor in any scene. He is equally adept at teaching how to shoot dialogue sequences with a moving camera, or shooting action. “Directing the Camera” belongs on the bookshelves of anyone serious about making movies.
Jeff Phillips
Writer-Director
@urFRENZ
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