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On board the whaling ship Pequod a crew of wise men and fools, renegades and seeming phantoms is hurled through treacherous seas by a crazed captain hell-bent on hunting down the mythic White Whale. Melville transforms the little world of the whale-ship into a crucible where mankind’s fears, faith and frailties are pitted against a relentless fate. Teeming with ideas and imagery, and with its extraordinary, compressed intensity sustained by mischievous irony and moments of exquisite beauty, Moby-Dick is both a great American epic and a most profoundly imaginative literary creation.

With an afterword by Nigel Cliff.

Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure.

• Sales Rank: #52821 in Books
• Published on: 2016-11-01
• Released on: 2016-11-01
• Original language: English
• Number of items: 1
• Dimensions: .24" h x 1.41" w x 4.12" l, .0 pounds
• Binding: Hardcover
• 768 pages

From School Library Journal
Grade 5 Up-Opening with the classic line, "Call me Ishmael," the narrator's New England accent adds a touch of authenticity to this sometimes melodramatic presentation. The St. Charles Players do a credible job on the major roles, but some of the group responses, such as "Aye, aye Captain," sound more comic than serious. This adaptation retains a good measure of Melville's dialogue and key passages which afford listeners a vivid connection with the lengthy novel. Background music and appropriate sound effects enhance the telling of the story about Captain Ahab's obsessive pursuit of the malevolent white whale. The cassettes are clearly marked, and running times are noted on each side of the tapes. Announcements at the beginning of each side and a subtle chime signal at the end make it easy to follow the story, but a stereo player must be used to hear some dialogue. The lightweight cardboard package is inadequate for circulation. Done in a radio theatre format, the recording does a nice job of introducing the deeper themes of the book and covering the major events. For school libraries that support an American literature curriculum, this recording offers a different interpretation of an enduring classic.
Barbara Wysocki, Cora J. Belden Library. Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.

From Library Journal
In a sense, this work is the piece de resistance of the textual revolution in American scholarship of the past generation. The first half is the final MLA "Approved Text" of the classic novel, prepared under the auspices of the Center for Editions of American Authors. The second half consists of an Historical Note detailing background, genetic composition, publication, and ensuing critical reception; a discussion of its textual history; and some relevant marginalia. The work is not only thorough and rigorous, but, considering the scholarly grittiness of the endeavor, surprisingly lucid and graceful in its exposition. Highly recommended for special collections. Earl Rovit, City Coll., CUNY
Copyright 1988 Reed Business Information, Inc.

Review
"Historically, the two great typographical edifices of West Coast printing are the Grabhorn "Leaves of Grass and the Nash "Divine Comedy. Now the Arion Press "Moby Dick takes its place beside them. . .It is the textual weft of hand composition that forms the chief glory of this work. Hoyem seems to have found the perfect measure to accommodate text to type. We turn page after page of matchless composition. . .as the magical result. I would venture the opinion that this constitutes a feat of modern craftsmanship unexcelled in modern printing."--"Fine Print

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48 of 48 people found the following review helpful.
notes on different editions
By Caraculiambro
Unless you are a naval historian or a Melville scholar, you probably won't have a rewarding (or even comprehensible) time with much of MOBY DICK at this remove unless the edition you're using comes with a good set of footnotes. Here's the skinny on the various editions you are likely to find on shelves these days:

THESE HAVE FOOTNOTES ON THE PAGE ITSELF:

* Charles Feidelson, Jr.'s annotated edition. Unquestionably the most all-around useful edition of Moby-Dick ever printed! Generous and highly useful footnotes right on the page, covering lexical, allusional, and cross-referential items. Two disadvantages: you may at times feel put upon by Feidelson's interlarded interpretations, and the thing is totally out of print. Indianapolis: Bobbs-Merrill, 1964. ISBN: 067260311X. If you are writing a serious paper on this novel, you’d be foolish to be without this edition.

* The "Norton critical" edition, edited by Parker and Hayford. The edition most widely employed by scholars. Stingier with the footnotes than Feidelson’s, but still a good second choice. Many useful essays at the end. The layout of the text is a bit hard on the eye, though. Make sure you get the SECOND edition, from 2001. ISBN: 0393972836

* The "B***** and N**** Classics" edition. The footnotes for the most part are skimpy and confined to obscure vocabulary, not cultural and literary allusions, but there is a good dictionary of sea terms. There is also a 41-page introduction. ISBN: 1-59308-018-2. Alternatively, 978-1-59308-018-1. One could do worse.

* Moby-Dick: An Authoritative Text (Norton Critical Edition). Warrants a special explanation for what it tries to be. This edition is for textual scholars. It incorporates the little differences between the British and American texts in the running text! If you have no idea what I just said, you shouldn't buy this edition. For copyright reasons, Moby Dick was first published in Britain (!) by Bentley, although the American publisher, Harper & Row, was already in possession of the MS. Melville took that MS and made many corrections, and this became the British edition! So the British edition should be the authoritative text, right? Except here's the problem. Melville's corrected MS was additionally bowdlerized by Bentley's editors, so the final product does indeed contain many differences from the Ur-text (the one published later, by Harper & Row). So the decades-old problem is: which of the corrections were made by Melville himself and which were made by the British censors? Sleuthing this out is in fact the foundation of most Moby Dick textual criticism, a field that, incidentally, has seen better days. This would be an easy question to resolve if we found that MS corrected in Melville's hand. Tragically, however, we have not -- at least as of this writing. So what this Longman edition attempts to do is print the American edition, the Ur-text, with the British revisions overlaid in darker text, so you can see where the corrections were made. Previous editions, such as the Norton, did this with lists at the back of the book. In cases where it's not clear whether it was Melville or the censors, there'll be a little sidebar at the bottom of the page. So that's basically what you're looking at. In addition, of course, there are all these graphs and illustrations, footnotes, introductory essays, etc. Anyhow. What a worthy purchase, but only for deep-divers. Amazon ASIN: B009W58IXU.

THESE HAVE A FOOTNOTES SECTION IN THE BACK OF THE BOOK:

* The "Oxford World Classics" edition. About 11 pp. at the end. ISBN: 0-19-283385-5

* The "Modern Library" edition. About 13 pp. at the end. ISBN: 0-679-78327-X. Note that recent printings of this have been including the famous illustrations by Rockwell Kent, which are often deemed never to have been surpassed.

* The "Penguin Classics" edition. About 15 pp. of notes at the end by Tom Quirk. ISBN: 0-14-24.3724-7 (This is their fancy hardbound version: see next item.)

* The "Penguin Classics" Dexluxe edition. About 15 pp. of notes at the end by Tom Quirk. ISBN: 0-14-03-9084-7 (This is their paperback edition, which looks totally different but is exactly the same as the previous entry. This claims to be the "definitive text," but any such claim is spurious, but see above for a discussion of good discussion of why. Penguin previously came out with an identical-looking but much thicker version annotated by Harold Beaver: the notes for that edition were copious, but on the whole too fanciful and self-indulgent to be of much use.) A recent printing, ISBN 978 014 243 7247 has a 28-page introduction by Andrew Delbanco, who recently published a biography of Melville. Otherwise, the explanatory notes at the end of the book are the same as those by Tom Quirk. Note there are also maps and an impressive glossary of nautical terms, making this final incarnation a worthy purchase.

* The "Library of America" edition. (This is the one that is included in the same volume with "Redburn" and "White Jacket.") About 9 pp. of notes at the end. Unfortunately, they're a bit skimpy. You see, they're of the "go get it yourself" kind. For example, when Melville writes, "send Lazarus that he may dip the tip of his finger," the footnotes -- the incidence of which is not marked in the running text -- merely says "Luke 16:24". In other words, you've got to look it up yourself. So I would characterize the footnotes as sparse and taciturn: they'll clue you in to the source, but as for the exact wording of something and its accumulated historical connotations, you've got to come up with those yourself. ISBN: 0-940450-09-7

THESE HAVE NO FOOTNOTES WHATSOEVER:

Why do publishers still print editions of Moby Dick without any footnotes or glossary whatsoever? Who can read it? What a waste of paper. I get so irritated! In any event, the following publishers have decided you'd prefer your white whale raw. Note that there are probably hundreds of such editions.

* The "Bantam Classic" edition. ISBN: 0-553-21311-3 Ain't got jack.

* The Signet Edition. ISBN-10: 0451532287. The bare-bones text only.

* Moby Dick, ISBN 0-8101-1991-0. The Northwestern-Newberry 150th Anniversary edition. 2 pages of a forward by Parker, but otherwise no notes on the page or at the back of the book.

* The handsome “Fall River Press” edition, found often in the B**** & N**** discount bin. ISBN: 9781435160637. A cover so handsome it’ll stop you in your tracks, but that’s it.

* The "Everyman's Library" edition. ISBN: 0-679-40559-3. Zilch.

* The "Penguin 150th Anniversary" edition. ISBN: 0-14-20.0008-6 Bupkiss! Handsome, though.

* The "Arion Press" edition. ISBN: 0-520-04354-5. Also annoyingly oversized.

KINDLE EDITIONS:

Dozens of possibilities, but I’m going to recommend the Wordsworth edition, even though I can’t find it on Amazon at the moment. In addition to being cheap, it can boast the following advantages: the text shows up clean and seamless on your Kindle, without a lot of blank lines, words running together, or other ills consequent upon certain publishers scanning in public domain works. There is also a good section of explanatory notes at the end. Big problem with this edition is that the explanatory links aren’t hyperlinked to the text, meaning that, at least with current Kindle technology, you’ll have to manually re-search the text to get back to where you started from.

33 of 33 people found the following review helpful.
A very good edition of an American classic
By D. Schaldach
I'm not going to review Moby-Dick...it was deep and wonderful and demanding and difficult. I can't write a brief review for a novel of this scope.

So this review is for the St. Ignatius edition. This is a very well put together edition. As a English Grad student, I had some serious in-depth studying of this text. I am glad I spent the extra money and got this edition, rather than a bargain book. A great intro, a plethora of footnotes throughout the novel, and some very insightful criticism following the conclusion. This is a worthwhile addition for the scholar or the Americanist.

26 of 26 people found the following review helpful.
Thanks to the unnamed programmer...
By S. T. Porterfield
From previous experience I knew there used to be a bug that prevented the original Kindle from linking to footnotes in some content. Thanks to the unnamed programmer who finally fixed this .The content pages are all complete and the text is clear. And the footnote linking works. It appears that Amazon has cleaned up the formatting of Kindle content a lot in the past year. Now if they'd offer to re-download clean versions of our previous purchases, that would really boost customer loyalty. As to the content, I'd say that $3 for a portable copy of this classic is a good bargain.

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Why do you lead worship? Often the motives are mixed. You find yourself wanting to point people to Jesus but also feeling a desire to be noticed and praised, to make yourself the center of attention. Maybe you want to make the best possible music for the most possible people but you find yourself leading a modest congregation in an unglamorous place. These mixed motivations can be difficult to unr

• Published on: 2013
• Binding: Paperback
• 126 pages

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The Hated Son

• Published on: 2015-07-04
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .20" w x 7.44" l, .39 pounds
• Binding: Paperback
• 88 pages

About the Author
Honore de Balzac was a French novelist and one of the creators of Realism in literature. His “Human Comedy” spanned more than 90 novels and short stories in an attempt to comprehend and depict the realities of life in modern bourgeois France.

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0 of 0 people found the following review helpful.
Evil dad persecutes preemie
By Karl Janssen
The Hated Son, a novel by Honor� de Balzac, was originally published in 1831 under the French title of L’Enfant maudit. It is one of the “philosophical studies” in Balzac’s mammoth series of works known as the Com�die Humaine. The story is set in Normandy in the late 16th century. The Comte d’Herouville, a hateful and cruel man, has recently married a beautiful young heiress of delicate and saintly demeanor, Jeanne de Saint-Savin. The marriage was arranged for political and financial reasons, and Jeanne rightfully fears her brutish husband. Seven months after the wedding, a pregnant Jeanne goes into labor. The scene of the birth is a frightening ordeal in which d’Herouville treats the expectant mother with all the sensitivity and comfort of a medieval jailer for his prisoner. Given the short term of the pregnancy, d’Herouville suspects the baby is the son of Jeanne’s former lover and threatens to kill the child. In fact, the son, Etienne, is a preemie who is born tiny and frail. The Comte stops short of killing the boy because he needs a male heir to ensure custody of his wife’s estate, yet he openly despises Etienne, and banishes him from the castle, confining him to a seaside cottage where the boy grows up in solitude and isolation.

He can’t stay isolated forever, of course, or there wouldn’t be much of a story. Eventually Etienne grows up into a sensitive, artistic young man with the naive innocence of a veritable babe in the woods. I enjoyed the dark tone of the book’s gothic opening; Balzac is at his best when he’s being bad. Etienne’s idyllic existence, however, is dull and cloying by comparison. It is hard to identify or sympathize with a character who is so unrealistically wholesome and pure. If anything, the one character you end up rooting for is Beauvouloir, the “bonesetter” who delivers the baby and ends up having a prominent role in Etienne’s upbringing. The Hated Son has a few enjoyable moments, but overall it suffers from unnecessary protraction. Unlike Balzac works with large ensemble casts and convoluted story lines, this is a relatively simple tale revolving around five characters. There’s only enough material here for a short story, yet Balzac drags it out into a novel by adding lengthy descriptive passages that only belabor the degree of Etienne’s naivete or his uncommonly intense adoration for his mother.

Although this novel takes place centuries before the bulk of the Com�die Humaine, it nevertheless has ramifications for other works in the series. Later generations of the d’Herouville family would go on to figure prominently in the novel Modeste Mignon and receive mention in other Balzac works. There’s also a reference here to the family of prostitutes known as Les Marana, from the novel of the same name. Despite such connections, I wouldn’t consider The Hated Son to be an essential read for any but the most fervent fans of the Com�die Humaine. It’s perfectly fine writing when compared to other fare of the period, but in a ranking of Balzac’s works this one would likely fall somewhere in the bottom half.

7 of 11 people found the following review helpful.
The Hated Son
By L. J. Sanchez
The beginnig was a bit confusing. I didn't really know what was going on but after a few pages it comes to light. Set in the time where Duke's and Royalty take precidence over love when it comes to marriage, a woman choses to protect the small, premature child born to her from her husband who disowns his own blood. Things take a turn for the better but only temporarily.

0 of 0 people found the following review helpful.
Typical Balzac
By Funiwe Mkele
Great prose as per usual. I love how elegantly he writes. It was somewhat protracted but that is generally thee style of the period

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With Java maturing and branching out into so many different APIs, programmers are finding it difficult to find good, solid coverage of the many new need-to-know APIs in the many "catch all" Java books on the market. This title answers that need by presenting no-nonsense, nuts-and-bolts coverage of the new "niche" APIs like JNI, JTAPI, and the Java Wallet in a task-oriented reference format that gives coders the answers they need. .

• Sales Rank: #370877 in Books
• Published on: 1998-03
• Original language: English
• Number of items: 1
• Dimensions: .93" h x 6.10" w x 8.97" l,
• Binding: Paperback
• 528 pages

Amazon.com Review
The Java Native Interface (JNI) enables programmers to share data and make function calls between programs written in different languages. A program created in Java can refer to the contents of a program written in C++, and vice versa. The communication also works between Java and C. This book explains how to use the JNI to make Java programs communicate with their neighbors.

First things first. As is customary in programming books, the author starts with a "Hello, World" example, except here, the program is written in both C and Java. Gordon walks you through the source code in each language, explains compilation, and quickly gets to the mechanics of using the javah utility to generate an include-able .h file.

After the procedural walk-though, Gordon strides into specifics, such as how to get a C/C++ program to set a variable that exists in a Java program and how to deal with native types. He compares object architectures and gets into some detail on arrays, strings, exceptions, and producer-consumer relationships. You'll find plenty of information on input and output, too--the author shows the means of writing to POSIX and Win32 ports. A cool chapter has to do with setting up the Java Developer's Kit as a Windows NT service via the Service Control Manager.

A full JNI class reference with minimal annotation ends the book.

From the Inside Flap


Before we plow an unfamiliar patch It is well to be informed about the winds, About the variations in the sky, The native traits and habits of the place, What each locale permits, and what denies Virgil The Georgics

Preface

What This Book is About
The subject of this book is the Java Native Interface (JNI) Application Programming Interface (API). The JNI was introduced in release 1.1 of the Java Development Kit (JDK) as distributed by JavaSoft. This book covers the entire API for the JNI including the enhancements introduced in release 1.2 of the JDK. Where there are minor differences between various 1.1 point releases, these are discussed.

Who Should Read This Book?
This book is written for the software engineer who needs to make Java and C or C++ talk to one another. Experience with C/C++ and Java is assumed. This book also assumes some familiarity with both UNIX and Win32 platforms.

If you are a Java programmer who needs to step outside the Java Virtual Machine to take advantage of some platform-specific functionality, this book will show you how. If you are a C programmer responsible for putting a Java font-end on a legacy application, this book will show you how. If you are a C++ programmer wanting to take advantage of an existing C++ class library, this book will show you how.

Further, this book covers these topics for both UNIX and Win32 platforms.
Okay, now turn around and walk to the sales counter.

Structure of This Book

This book can be thought of as having three distinct parts. The first part, roughly the first eight chapters, covers the JNI API in great detail. The second part, the remaining chapters, covers some general issues involved with native method programming. The third part, a series of appendices, contains reference material, both for the JNI and for tools introduced in this book. There is also an appendix that compares the JNI with the old-style native method programming model introduced in JDK 1.0. The last appendix offers a brief discussion of native methods, applets and security issues.

The early chapters contain plenty of simple examples intended to highlight the essential features of the API. No attempt is made to place JNI function calls into large, complex examples that obscure their salient features.

The first part of the book takes a walk-before-you-run approach. After an overview of the JNI in Chapter 1.
Chapter 2 presents a JNI version of the classic "Hello World" example.
Chapter 3 then follows with examples of some of the more common JNI operations before plunging into the syntactical details of the JNI in Chapter 4.
With all that work behind you, Chapter 5 through Chapter 8 provides detailed coverage of the remaining JNI functions.

The second half of the book deals with a series of general topics on using the JNI to integrate Java code with non-Java code. Chapter 9 presents an approach for mirroring existing C++ classes in Java. Chapter 10 introduces a tool for the automatic conversion of C structures into Java classes and an accompanying set of adapter functions for copying data between an instance of a C structure and a Java object. Chapter 11 starts with a collection of Java classes that provide a high-level interface to serial and parallel ports. Throughout this chapter the native code for targetting these classes for both POSIX and Win32 platforms is presented and discussed. The Java package used in this chapter is the portio package which is freely-available from Central Data (cd) as well as being included with the examples at the Prentice-Hall ftp site.

Chapter 12 and Chapter 13 deal with the Invocation API. Chapter 12 is a broad discussion of the mechanics involved with starting a Java Virtual Machine from a C/C++ application. Chapter 13 provides a very specific example of this facility, namely, starting the Java Virtual Machine (JVM) as an NT service. This chapter is for NT developers who wish to use Sun's JVM as an engine for their Java applications. Chapter 14 presents some approaches to debugging a Java application that includes native code. Finally, Chapter 15 is dedicated to changes and enhancements to the JNI in the JDK 1.2.

Whose Java?
This book covers the Java Native Interface API. To use the Java Native Interface API, you will need to run your Java code on a Java Virtual Machine that supports the JNI. The list of JVM vendors supporting the JNI is growing, but a sure bet is the JVM distributed by Sun. The Sun JVM, the Java Core classes and the JNI are available as part of the Java Development Kit (JDK). The JNI is supported starting in release 1.1 of the JDK.
The JDK 1.
This site is available via anonymous ftp. The following sequence of steps illustrates how to download the Essential JNI examples. You type the bold.
% ftp ftp.prenhall
Connected to iq-ss3.prenhall.
220 iq-ss3 FTP server(UNIX(r) System V Release 4.0) ready.
User (iq-ss3.prenhall:(none)): anonymous
331 Guest login ok, send ident as password.
Password:
230 Guest login ok, access restrictions apply.
ftp> cd /pub/ptr/professional_computer_science.w-022/gordon/essential_jni
250 CWD command successful.
ftp> get ejni_ex.tar
200 PORT command successful.
150 ASCII data connection for ejni_examples.tar (38.11.232.6,1099) (19818 bytes).
226 ASCII Transfer complete.
20184 bytes received in 5.93 seconds (3.40 Kbytes/sec)
ftp> bye

Goodbye.
The ftp directory named in line 1 contains two examples files described in the following table.
File Name
Format
Size
ejni_ex.zip
zip
452KB
ejni_ex.tar
tar
1.55MB
These two files include makefiles for both Win32 and Solaris.
After downloading the examples, unzip or untar the file in a directory of your choice. Users of a UNIX zip utility should be careful to use the -a flag with unzip so that CR/NL sequences are properly converted. Extracting the files will create a directory named ejni. Within the ejni directory will be another directory, examples.

The directory ejni/examples is known as the examples directory throughout this book.
Building the Examples
Before the examples can be built and run, some environment must be set up.

Setting Up the Environment
Two files are included with the example files that describe the appropriate environment settings. The file csh.env is provided for UNIX csh users. It is easily modified for other shells. The file win32.bat is provided for Win32 users. Both files must be modified to specify the location of your JDK and the location of your examples directory. Specifically, two environment variables are provided, JDK_HOME and EJNI_HOME, which point to these locations.

Additionally, these files define an appropriate setting for the CLASSPATH environment variable, adding the directories required to run the examples.

Finally, there are some platform-specific environment variables that need to be set.

Solaris Environment
The environment variable LD_LIBRARY_PATH is set within the csh.env file. The directory in which the example native libraries are installed is added to your existing value.
The Solaris build assumes you are using Sun's compilers. Be certain to modify the CC settings in EJNI_HOME/Makefile.master to point to the proper installation directory, or comment it out and use your environment settings.
The examples in Chapter 9 require Rogue Wave's Tools.h++ class library. If you have this software, you will need to set the relevant macros in EJNI_HOME/Makefile.master to the appropriate values. If you are a UNIX user and don't have the Tools.h++ software, remove the target chap9 from the SUBDIRS macro in EJNI_HOME/Makefile. Your enjoyment of this example will be necessarily limited to viewing the source.
Win32 Environment
Win32 users can use the batch file win32.bat located in EJNI_HOME to set up their environment for building the examples. The file win32.bat batch assumes you are building using Microsoft�s compiler, specifically Visual C++ and cl.exe. The appropriate environment for running cl from the command line is set using the vcvars32.bat batch file shipped with Visual C++. This file is located in your Visual C++ bin directory, typically \Program Files\DevStudio\VC\bin. vcvars32.bat should be run before running win32.bat.
If you get the message "Out of environment space," you will need to use the command command from the DOS prompt as shown below.
Increasing DOS Environment Space
C:\> command /e:8192
This setting will only be in effect for the current DOS shell. To set this value permanently, add the following line to your CONFIG.SYS file.
shell=command /e:8192 /p

How To Build
Once the environment is set up you are ready to build. On Solaris, the following make commands, executed from the EJNI_HOME directory, build the Java class files and native libraries.

Building on Solaris
% make all; make install
On Win32 systems, the nmake command is used to build the example Java class files and native DLLs.
This command must be executed from the EJNI_HOME directory.

Building on Win32
% nmake TARGET=all /f nmake.mak all
When the build is complete, all the class files live in $EJNI_HOME/classes and all the native libraries live in $EJNI_HOME/platform/lib where platform is either sparc or win32. Tilt the slashes appropriately for Win32 platforms.
A Word About the Examples
All of native coding examples are written in either C or C++. As you will learn, the syntax for calling a JNI function differs across the two languages.
In the first part of the book, through Chapter 8, all of the examples are written in C++. Therefore, whenever a reference is made to the first argument to a JNI function, it is understood not to count the JNIEnv pointer argument that is present in a C call of a JNI function.
The examples directory contains a directory for each chapter. Within the chapter directory is a directory for each example. Example 1 in Chapter 5 resides in ejni/examples/chap5/example1.
A README file in each example directory describes how to run the example since the book does not actually show all the examples running.

Some Conventions
All code listings, output, all variable, method and function names that appear in the text, command names, directory names, and all URLs appear in courier.
User input appears in bold courier.
Special terms, upon their introduction, and parameters to be substituted for appear in italics.
Pseudo-code and labels within figures appear in helvetica.
Help From Fellow Travellers
There are at least two list-servers available for JNI programmers. The first deals directly with native method programming. On the jnative-l list you will find discussions of JNI as well as old-style JDK native method programming, Microsoft's Runtime Native Interface (RNI), Netscape's Java Runtime Environment (JRE) and, to a lesser extent, problems with incorporating native code with various browsers. To subscribe to this list, send an e-mail message to majordomo@lists.teleport with the text subscribe jnative-l in the body of the message.

It is not unusual for questions related to native method programming to appear on the Advanced Java list. To subscribe to this list, send mail to majordomo@xcf.berkeley with an empty subject and the following body:
subscribe advanced-java your_email_address
end
Do not use this latter list injudiciously. It is heavily patrolled by self-appointed experts who spend as much time telling people their question is not sufficiently "advanced" as they do providing answers to those question that they deem worthy of their consideration.

To stay in step with updates and enhancements to the JDK and the JNI, you may want to register with the Java Developer's Connection (JDC). To do so, follow the link off the JavaSoft home page (java.sun). As a member of the JDC, you are eligible for Early Access APIs. This is also the place to submit and track bugs. The JDC is a free service from JavaSoft but you do have to register.
A Word About Borrowed Words
Reading the quotes at the beginning of each chapter is a requirement for successful completion of this book. Too many late nights were spent finding them and too many phone calls were made acquiring permission to use them for you to ignore them.

Why include them at all? A guy who takes writing seriously has to do something to catch the eye of the reviewers at The New York Times Review of Books. Besides, it was fun trying to decorate the often bland minutia of a programming API with the distinguished dress of great ideas. I don't know if it worked, but I highly recommend all the quoted authors. Well, I can take or leave Nietszche. As for Hobbes, I think he had it backwards. We are heading toward where he thinks we began.

From the Back Cover

Leverage platform-specific features without compromising binary compatibility!

With the Java Native Interface API, you get the best of both worlds: access to the native platform features you need to get the job done plus full binary compatibility across multiple Java Virtual Machines. And there is no better way to master the JNI than this fast-paced, example-rich guide, which focuses on proven techniques.

Walk step-by-step through writing Java and native code components, building libraries, loading and invoking native methods, and more. Discover powerful techniques for creating Java Virtual Machines from within any native application. Learn proven approaches to integrating Java and C++ code, converting C structures, and providing serial I/O from Java on both POSIX and Win32 platforms. Get comprehensive debugging help. There's even a complete, easy-to-use API reference!

With JNI, you can leverage Java's extraordinary capabilities without sacrificing proven legacy code.

Essential JNI: Java Native Interface gives you the insight, proven techniques, and real-world sample code you'll need to get results with JNI, plus:

• A complete, task-oriented reference to the entire Java Native Interface API
• Tools and strategies for integrating legacy code with new Java applications
• Extensive code examples and detailed debugging tips
• Clear explanations of JNI native types, signatures, references, and object and class functions
• Specific techniques for managing C++ code and converting C structures

Most helpful customer reviews

21 of 22 people found the following review helpful.
If you HAVE to use JNI, this is a good book
By V. Ravindran
Let's be clear here, after working with JNI in several capacities for the better part of a year, I know one thing: If you can avoid using JNI, you will be for the better.
JNI is unwieldy, unstable, buggy, and most of all, it creates a whole class of run time errors that will blow up your JVM. Of course, if you are smart, you will only use it for one small thing and it will work like a charm. Get out while you are ahead!
If you ignore my advice and still use this evil technology, this book is a must have since there are no good docs on using JNI anywhere. The secion regarding how to hook up a C debugger to the VM is a must read.
The book is well written and is a multi-use book that can be read before using JNI to become familiar, and then be kept on hand as you go through annoying problem after annoying problem. This book becomes a necessity reference during that tiring time.
You have been warned.

8 of 8 people found the following review helpful.
This book is what Sun's docs SHOULD have been (and more)
By Buzzy Brown
FYI, I reviewed a close-to-final draft of the book sent to me by the publisher. Some of this may be innacurate with respect to the published copy.
Sun's JNI documentation is rather dry and is really just reference material. This book is a lot more readable. It describes the JNI functions in a logical manner without just saying "here they are and here's what they do". The author also took time to explain the situations where certain functions would be more appropriate.
Some books that I've read take up many chapters hand-holding the reader by explaining how great the internet is or showing samples (with screen captures even) of how to compile source code. This book, however, gives only a brief overview of the history of JNI and then jumps right into the code...very nice!
Sample code is used appropriately. Small examples of all APIs are given, without trying to tie them into a "full application". This makes it easier to use the book as a reference. However, there were two chapters dedicated solely to some interesting example code (a Serial I/O example and writing an NT Service)...this made it easy to skip if I didn't want to read them. Nice JNI reference in the appendix.
The book seems to address both the Win32 and Unix/Sun environments equally well without making a blind assumption that the reader uses a specific one. (OS/2, MacOS, Linux, and BeOS weren't mentioned, though :-)

10 of 12 people found the following review helpful.
Skimps on too many areas
By A Customer
Easy to read and covering many areas of JNI usage. However, when one settles to write an application in earnest, the book starts feeling superficial. The reference is meager on the Sun web page and not enhanced in the book. For instance, here's a typical argument explanation: "clazz: a Java class object". No indication as to what the usage really is, just a statement of what type it is. This sort of treatment is unfortunately typical. Memory management is barely touched, and many areas are not covered. I expect to be told if a particular method manages memory or not, so I can take adequate care in my application. I expected a detailed discussion on how Java and corresponding C/C++ buffers are managed in general; How to navigate through objects to data that may not be directly available from the calling object; How to access Java static functions, like the utility libraries from native code (or a discussion why not). etc... Examples are provided and thoroughly explained in the "Guide" part of the book, but are by no means a comprehensive coverage of the usage and features of JNI.
I rate it 3 stars -- a good introduction, but not a workhorse desk reference. Good to borrow and read through to see how JNI works, but one needs more substantial information to trully write JNI code as part of an application.

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• Published on: 1800
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For years, historians have described the music of the so-called "Viennese School" as directly descending from German Lutherism up to Bach's death in 1750. In this fascinating book, Daniel Heartz shows how it actually grew out of Italian Catholicism, combined with current French fashions and local traditions. Haydn and Mozart, who stand at the very center of this study, were viewed as the highest peaks on the musical horizon by their contemporaries. It is that world of perception that Professor Heartz recreates, calling upon the visual arts and the architecture of the period to support his thesis. His focus is on music as a part of cultural history in a particular time and place. Stylistic terms and a priori periods mean less to him than the common denominators of geography, the arts, and political history.

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• Sales Rank: #1717318 in Books
• Brand: W.W. Norton & Co
• Published on: 1995-03-17
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 2.80" w x 7.40" l,
• Binding: Hardcover
• 816 pages

From Library Journal
This richly detailed survey of musical life in Vienna during the late 18th century is sure to become an indispensable source for information on this familiar yet misunderstood era. The book represents a crowning achievement for Heartz (Mozart's Operas, Univ. of California Pr., 1990), one of this country's most distinguished musicologists, who painstakingly researched this material for over 30 years. His central thesis is that self-aggrandizing German scholarship contributed to a serious misreading of the nature of the "Viennese School"?that it is in fact an amalgam of Austrian-Bohemian, Italian, and French influences. Heartz carefully documents the multiethnicity and cosmopolitan nature of Empress Maria Theresa's reign, showing how these crosscurrents informed the entire cultural, religious, and political landscape. Throughout, there are many valuable insights into the works of Franz Joseph Haydn, Wolfgang Amadeus Mozart, and their lesser-known contemporaries. The analyses, targeted for the musically literate, are always lucid and refreshingly jargon free. Highly recommended for all libraries.?Larry Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1995 Reed Business Information, Inc.

From Booklist
Heartz conducts a tour of musical Vienna during the reign of Empress Maria Theresa that involves meeting, besides the principals--Haydn and Mozart--the court composers and musicians who influenced them. To celebrate the name days of the members of the royal court and to otherwise entertain, Wagenseil (trailblazer for Haydn), Ditters, Salieri, and Gluck all composed symphonies, concerti, chamber music, theater works, operas, oratorios, and incidental music for plays. Heartz offers short biographies of these court composers and, sprinkling the text with examples from the period's major musical works, delineates the progress of musical form and style upon which Haydn and Mozart built. The survey peaks with Haydn, first in Vienna, then at Esterha{�}za, advancing the musical art of his predecessors, and ends with Mozart, who revered Haydn's compositions. Conducively to a journey that is both enjoyable and enlightening, Heartz writes in an easily read style. Alan Hirsch

About the Author
Daniel Heartz, Ph.D., professor emeritus at the University of California, Berkeley, is the recipient of Guggenheim Fellowships, two ASCAP–Deems Taylor Awards, and the Kinkeldey Award of the American Musicological Society. He lives in Berkeley, California.

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0 of 1 people found the following review helpful.
Five Stars
By Vindigni
Bought as gift and was what he really wanted.

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[Q382.Ebook] Ebook Shank's Mare: A translation of the TOKAIDO volumes of HIZAKURIGE, Japan's great comic novel of travel & ribaldry b, by Ikku Jippensha

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This classic Japanese story of humor and adventure is available here for the first time in digital format.

A pair of irrepressible scoundrels are the heroes of this madcap chronicle of adventure, full of earthy humor, along the great highway from Tokyo to Kyoto. The lusty tale of their disreputable doings is Japan's most celebrated comic novel.

Shank's Mare was originally issued serially beginning in 1802, and was so successful that the author wrote numerous sequels, appearing year by year, until 1822. This novel portrays all the varied colors in Japan's Tokugawa era and its humor typifies the brash and devil-may-care attitude of the residents of Tokyo, both then and now.

• Sales Rank: #668762 in eBooks
• Published on: 2011-09-13
• Released on: 2011-09-13
• Format: Kindle eBook

Review
“An outstanding comic novel and essential to a thorough understanding of Japanese literary history and culture.” -- The Bookwatch

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1 of 1 people found the following review helpful.
Shank's Mare
By Bruce Louis Dodson
I loved this book.
Totally entertaining.
I had not previously know where the expression, "Shank's Mare" originated.
A fun read. Hard to put it down.

2 of 13 people found the following review helpful.
It's OK.
By Jeremiah Michael Leedy
I have only just started reading this book and I'm haveing alot of trouble finding the houmor in the book. And also I can't really tell what is going on in the story. The plot seems to be choppy and I can't get a mental picture as to what is going on half the time. But I can not bash the book untill I'm done reading it. I hope things start to smooth out the more I read it and get a feel for the style of the book.

10 of 10 people found the following review helpful.
Good silly fun
By wiredweird
This book is over 200 years old and still popular. There's a good reason for that.

It captures all that people love about slapstick, and doesn't worry about toning it down for the kids. The two heros drift from town to town, bordello to bordello, and bar to bar. They're petty grifters, always trying to pull another meager scam, and always getting the worst of it in the end.

There's no real plot here, just a sequence of vignettes. They're all like enough in kind to create a rhythm, but different enough to stay entertaining. Lots of the humor is low - potty humor, not restricted just to human waste. As in some britcoms, our heroes suddenly appear in their underwear time and again - or out of it, or next to it, or looking up into a tree at it. The real fun is in their silly pranks and exaggerations, always found out in ways that make them look like total twits.

Ikku Jippensha's work is still a good read, even today. Sometimes, though, English doesn't capture the flavor of the original. The translator just shouldn't have bothered with some of the puns, and a few turns of phrase probably sounded better back when this was translated. End-notes are scanty, and there appears to be a systematic error in page number references towards the end of the notes.

None of that really interferes with a good read. Enjoy the prat-falls as much as the original readers did, 200 years ago and in Japan.

//wiredweird

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Under the direction of the Communist Party of China (CPC), key legal challenges have been identified which will shape the modernization of China’s legal and administrative institutions. An increasingly complex set of legal actors now seek to influence this development, including securities regulators, bankers, accountants, lawyers, local-level mediators and some of China’s newly rich. Whilst the rising middle class wants to voice its interests and concerns, the CPC strives to maintain its leading role.

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Assessing the state and direction of domestic law reform and including debates around the legal implications of some of China’s most pressing foreign policy challenges today, this volume will be of huge interest to students, scholars and practitioners with an interest in Asia law, Chinese law, international law, comparative law and law reform.

• Sales Rank: #1888046 in Books
• Published on: 2016-02-04
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .69" w x 6.14" l, .0 pounds
• Binding: Hardcover
• 284 pages

About the Author

John Garrick is an attorney of the Supreme Court of New South Wales, Australia. He is author and co-editor publications including Law, Wealth and Power in China: Commercial Law Reforms in Context (Routledge 2014) and Law and Policy for China’s Market Socialism (Routledge 2015).

Yan Chang Bennett is a lawyer and Manager for the Center on Contemporary China at Princeton University. From 2009-2015 she was the Assistant Director for the Princeton-Harvard China and the World Program. Before coming to Princeton, she was a Foreign Service Officer with the U.S. Department of State having served as Vice Consul in China.

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• Sales Rank: #2218609 in Books
• Published on: 1600
• Binding: Hardcover

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