Free PDF Stuff Happens: A Play, by David Hare
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Stuff Happens: A Play, by David Hare
Free PDF Stuff Happens: A Play, by David Hare
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"Stuff happens . . . And it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things."
Such was Donald Rumsfeld's response on April 11, 2003, following the infamous looting and pillaging of Baghdad. In David Hare's powerful new play chronicling the extraordinary process leading to the American invasion of Iraq, this statement provides entr�e into the melee of diplomacy, political power, and terrorist vendetta still making headlines around the world. Using direct quotes meticulously culled from interviews and public appearances, combined with the playwright's nuanced reimagining of what went on behind closed doors, Hare has fashioned a historical narrative and human drama that presents the Iraqi conflict in all of its
haphazard notoriety. Stuff Happens uses a uniquely evenhanded approach to a deeply contested invasion--seen from the perspective of international leaders and journalists, as well as Iraqi refugees--and raises a series of provocative questions regarding the most heartfelt and manipulative machinations of domestic and international politik.
- Sales Rank: #440332 in Books
- Brand: Faber & Faber
- Published on: 2005-10-01
- Released on: 2005-05-19
- Original language: English
- Number of items: 1
- Dimensions: 8.23" h x .32" w x 5.55" l, .30 pounds
- Binding: Paperback
- 128 pages
Features
Review
“His best political play yet . . . An exhilarating account of the genesis of the current war in Iraq.” ―John Lahr, The New Yorker
“The most significant theatrical artifact yet to grow from our catastrophic times.” ―Linda Winer, Newsday
“The most feverishly anticipated play in London in recent memory.” ―Ben Brantley, The New York Times
About the Author
David Hare is one of Britain's most renowned playwrights. His works--including Skylight (Faber, 1995), Amy's View (Faber, 1997), and Via Dolorosa (Faber, 1999)--are frequently performed on Broadway.
Most helpful customer reviews
1 of 1 people found the following review helpful.
More frightening than a monster movie
By C. Collins
David Hare's Stuff Happens is a profound literary work of historic and political significance. Hare is able to craft a drama from the historic record that not only reflects the complexity and subtle manipulations that occurred around the US's invasion of Iraq, but also is able to develop a compelling drama around the character of Colin Powell and his struggle to bring some glimpse of reality into a White House dominated by reactionary and rigid ideological dogma. Very few works of literature are able to fully capture the complexity of a historic or political event. Hilary Mantel is able to capture the reign of terror in A Place of Greater Safety and Gore Vidal is able to capture the character of a great president in Lincoln, but Hare must be added to the list of great writers who are able to capture complexity and yet retain a narrative thread.
In the short play, we see behind the scenes as President Bush makes poor decisions as he listens to the advice of Donald Rumsfeld and Dick Cheney. Cheney is probably the darkest character in the play. He is highly manipulative and Hare's narrative would indicate that Cheney knew much of the information fed to the US public was false information so as to be able to invade and maintain continued occupational forces in Iraq. There were many reasons to attack Iraq, such as their support for Palestinian suicide bombers, to protect Saudi Arabia, Egypt, and Jordan; or to protect Israel. Hare never tries t pull it all into a simple package for he recognizes the issues are multi-factorial in origin.
The character of Colin Powell is crucial to the drama for as Secretary of State he must deal with the world and world opinion and try to serve a President who is influenced by Rumsfeld and Chaney into unilateral action, as if he were ruling by divine right.
We see the tragedy unfolding gradually. It is not until Tony Blair asks for back up that we see that Rumsfeld and Cheney are total unilateralists with totally unrealistic views of American power.
I hope that the play is brought back to the stage or put on film for it is compelling entertainment that is more frightening than any monster movie ever could be.
7 of 7 people found the following review helpful.
fascinating play
By audrey frances
I enjoyed David Hare's documentary play very much. Though I found it unusually disjointed, it is probably much more palatable when it is performed, and what still compelled me to give it my highest rating is the content, being the many outrageous and surreal statements made by W, Rumsfeld, Cheney, Powell, Blair, et al, as well as depictions of meetings and events, all gathered together in one place, which really helps you appreciate the systematic deception presented to the American and British people. In the Author's Note, Hare states that most events and quotes are authentic, and he thanks his sources. My guess is that he received a great deal of help/material/insight from Colin Powell, whose recollection of events is of interest. A quick but chilling read.
15 of 15 people found the following review helpful.
"It is useless to attempt to reason a man out of a thing he was never reasoned into."
By Luan Gaines
The title of this decidedly anti-war play sets the stage for its theme: Asked about the looting of Baghdad, a glib Secretary of Defense, Donald Rumsfeld, remarks, "Stuff happens". In the play, a core group of presidential advisors gathers, discussing a strategy for unseating Iraq's Saddam Hussein, coupling this concept with the protection of America from further terrorist attacks, such as 9/11. Carefully weighing the advantages and disadvantages, paper warriors assemble behind closed doors in a series of clandestine meetings. The result will shock the world, the birth of the Doctrine of Preemptive Strike. Caught in the "lethal rhetoric of global wealth and privilege", the discussions yield a number of assumptions; right or wrong, these assumptions will remain a footnote to history, the cause taking on a life of its own.
An impressive cast of characters assembles: the Neo-cons, Paul Wolfowitz, Dick Cheney, Condoleezza Rice; the Brits: Tony Blair, Jack Straw, David Manning; the French, Jacques Chirac, Dominique de Villepin, Jean-David Levitte; the temporary voice of reason, Colin Powell; and the bit players, Hans Blix, Kofi Annan, Mohammed ElBaradei. The dialog goes on, endless ruminations broken only by short breaks for refreshment. Though nothing specific is articulated at this point in the play, events are set in motion, the majority of characters of the same mind. Adamant that military action is the method of last resort, the players perform a shadow dance, Kabuki Theater, their silence impregnable. Deals are made, Tony Blair mollified.
Secretary of State Powell is the singular voice of reason, given to practicality where the others imagine a more ambitious goal. But Powell capitulates and the great experiment grinds into high gear. The public demands action, reaction, desperate for a salve to heal a bleeding and humiliated psyche. America signs on for a war that promises quick, deadly efficiency, convinced we are in an untenable situation that can be alleviated by the invasion of Baghdad, that only a battle joined on foreign soil will forestall another domestic attack. Public debate is nominal and weighted in favor of a preventive strike, the media virtually silent; obscured by sturm and drang, the confident counselors of a war president wax eloquent in defense of their position.
David Hale brilliantly structures this great debacle, arrogant assumptions in pursuit of an idea, an ideal opportunity to change the face of the Arab world or "throw a match into the tinderbox and see what happens". Hare's characters prove that there are neither checks nor balances, the single voice of dissent importuned until even he assumes the cloak of expediency. All is achieved with a few key characters and a supporting cast, much of the language quoted verbatim. Rumsfeld and Cheney are avidly supported by a caustic Wolfowitz and fawning Rice, speaking for the President, who remains taciturn, if vigilant. Bush's quietude carries a weight of its own, as fearsome in his lack of participation as the apologists for war. History will ultimately judge this war, the country awakened by unimaginable violence, trusting its government for protection in a time of crisis. Mission accomplished. Luan Gaines/ 2005.
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